ABOUT FACING A FACE / PORTRAITURE

 

 

 

 

 

 

 

 

 

 

 

 

 

A collision with the real or imaginative person or character always reveals a huge complex of conditions imposed by the performer, standing in front of the camera or drawn in our imagination!

 

I'm deeply convinced that the only way to establish communication with a performer is to unreservedly accept all the conditions and circumstances it imposes or provokes. In simple words: you cannot demand from a cat to bring you a cup of coffee, but stepping on his tail will unavoidably provoke a response.

 

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